Here is what James Darby of Stereomojo.com had to say about the Ultrasonic
Audio Racks.
(deHavilland Audio Components With Ultrasonic Rack & Stands)

Then there were the gorgeous acrylic Ultrasonic audio racks by Tate Blanchard, owner
of Custom Isolation Products. When we asked about the plethora of blue lights Tate
grinned sheepishly and said “There’s lots of competition here. We have to get noticed
somehow”. Don’t worry, Tate, your stands speak for themselves. The lights are
optional. Tate’s company is another one of the many ignored by the audio press, yet
may be one of the best out there. His stunning line of multiple racks and stands is
unparalleled. You need to go to his website just to see his hi-tech, artistic creations.
The prices are amazing as well. As impressive as his products are, Tate himself is
even more engaging. We spent an extended time just talking about the audio industry,
the audio press, his philosophy and just life in general. He’s articulate, soft spoken,
modest and brilliant. And he gets it. He’s a certified good guy.
DeHavilland: Beautiful and Mellow

I confess. There’s a special place in my heart for Kara and
George of deHavilland. Happily, the sound of their GM-70
amps and Mercury preamp deserves equal praise. Beautiful
and mellow on the right music, with a simply lovely core to
the sound, deHavilland electronics were sounding quite fine
with Wilson Benesch ACT speakers, Audio Aero Prima CD
player, Cardas Golden Reference cabling, and Custom
Isolation Products. The Torus sub may have been
connected, but it was being overly polite. Perhaps the Sonic
Fusion speakers paired with deHavilland at T.H.E Show in
January 2006 offered richer sound, but there was plenty to
love here as well. I’d love to return to this set-up with some
decent power conditioning in place.
Rocky Mountain Audio Fest: deHavilland, Mercury &
Wilson-Benesch

As was the case with the Gershman Black Swans, I’ve not
been a fan of Wilson-Benesch loudspeakers, which, in the
past, have sounded sumptuously detailed and extremely
free of box coloration but overly cool and analytical. Maybe it
was the addition of W-B’s own $9500 Torus Infrasonic
Generator (soon to be reviewed by moi), maybe it was
deHavilland’s $10k GM70 amps and $5k Mercury preamp
(plus Cardas cable), but W-B’s newest entry, the $15k 2.5-
way floor standing A.C.T., had all of the virtues of W-B’s
former entries (little to no box or driver coloration, an
abundance of fine detail) without their flaws. Sweet and
beautiful in balance, supremely open, with a front-to-back
layering that was scarce on the ground at RMAF, it
impressed the heck out of me. I did think the single Torus
should have been a pair for best images (and turned down
just the slightest bit in amplitude); nonetheless, this was one
of the better sounds at RMA
Nagra PMA mono amps,
Audiomeca Mephisto II.X CD transport,
Tact Audio 2.0S Room Correction System,
Tice Power Conditioner
System rack and amplifier stands by Custom Isolation Products
2005 CES show Pictures of our Racks
Special thanks to Dale Fontenot w/Cabasse
Kelly Taylor w/Cabasse/Atoll/Butler
Joe Fratus w/Art Audio
Micheal w/Bel Canto
Audio Art
System rack and amplifier stands by Custom Isolation Products
Cabasse
System rack and amplifier stands by Custom Isolation Products
AV4
AV6
Speaker Stand
Duo4
Double Amp Stand
Quad Amp Stand
Modular Ball-Tech Quad Red
Modular Ball-Tech Quad
Silver
Modular Quad Rack
Modular Tri A/V Rack
Modular Tri Rack
Led Colors
Spikes
Brass Disk
Anodized Column Colors
Listen Up!
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